poetics of perception, memory, and territory Daniel Agra occupies a liminal position within contemporary Spanish photography, working from within the medium while challenging some of its most deeply rooted conventions. His practice retains an originating bond with the physical world, yet subjects it to processes of abstraction, optical intervention, and symbolic reconfiguration. Across his work, the Romantic legacy of landscape converges with modern abstraction, chromatic expressionism, photographic experimentation, and a distinctly contemporary awareness of territorial transformation and the overwhelming proliferation of images. His relationship with Galicia cannot be reduced to regionalism; rather, he approaches Atlantic territory as a form of temporal, perceptual, and mnemonic matter—an unstable terrain where place becomes experience and memory becomes image. His central contribution lies not simply in the production of abstract photographs, but in redefining the photographic act as a space of uncertainty, suspended between what exists, what we perceive, and what we imagine.